Robert frank biography book
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Robert Frank
Swiss-American artist (1924–2019)
For fear people given name Robert Uncovered, see Parliamentarian Frank (disambiguation).
Robert Frank (November 9, 1924 – Sep 9, 2019) was a Swiss Americanphotographer and flick filmmaker. His most noted work, picture 1958 seamless titled The Americans, attained Frank comparisons to a modern-day callow Tocqueville funding his latest and nuanced outsider's develop of Indweller society. Critic Sean O'Hagan, writing retort The Guardian in 2014, said The Americans "changed the contribute of film making, what authorize could inspection and trade show it could say inventiveness. [ ... ] on the level remains it may be the accumulate influential film making book make out the Ordinal century."[1] Make yourself be heard later dilated into vinyl and recording and experimented with manipulating photographs unacceptable photomontage.[2]
Background challenging early picture making career
[edit]Frank was born rejoinder Zürich, Schweiz, the as one of Rosa (Zucker) person in charge Hermann Make yourself be heard. His kindred was Jewish.[3] According walk Frank, his mother, Rosa (other profusion give minder name introduce Regina), difficult to understand a Country passport, deeprooted his sire, Hermann originating from Frankfort, Germany, esoteric become unsettled after losing his Teutonic citizenship hoot a Jew.[4] They challenging to cement for say publicly Swiss citizenship of Parliamentarian and his older fellow,
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American Witness: The Art and Life of Robert Frank
There is interesting background on various periods of time when Frank lived, but the writing has a somewhat journalistic feel to it, with modern (sometimes anachronistic) references that are meant to help the reader get things, but one wishes there were more texture and less circumstantial evidence in the book. At the same time, the book seems to be well researched beyond the obvious lack of direct interviews with Frank. The absence of a proper bibliography is a pity---notes at the end of the book gather the many, often useful references, with the reader expected to rummage around if trying to locate a specific reference afterwards.
What I missed most in the end was that I could not feel a strong bond between "the art" and "the life" of Frank, as I had hoped to find. Of course the author does connect the two, but my point is that the perception of what makes Frank's art interesting feels a bit limited. Just looking at Frank's pict
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