Lee yong woo biography of barack

  • Yongwoo Lee is a South Korean art historian and curator based in Shanghai and Seoul.
  • Art historian, Aesthetician, Curator · yongwoolee@tongji.edu.cn · Room 215, Building D, CAUP, Tongji Univ.
  • Yongwoo Lee is a writer, curator and art historian based in Seoul.
  • Yongwoo Lee

    South Korean art historian

    In this Korean name, the family name is Lee.

    Yongwoo Lee is a South Korean art historian and curator based in Shanghai and Seoul. He is currently a professor at Tongji University[1] and was previously the artistic director of the Shanghai International Art City Research Institute and a professor at the Academy of Fine Arts of Shanghai University.[2][3]

    He is the founder and co-curator of the Shanghai Project with Hans Ulrich Obrist and was previously the director of the Shanghai Himalayas Museum.[4][5] He was the first president of the International Biennial Association, from 2013 to 2017.[6]

    Education

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    Lee studied literature and art history at Yonsei University, as well as Hongik University, in Seoul.[citation needed] He has a Ph.D. in art history from Oxford University, where his doctoral dissertation, The Origins of Video Art, critically examined encounters between art and technology.[7]

    Career

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    Gwangju Biennale

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    Lee was the founding director of the Gwangju Biennale in 1995, the first international bienniale in East Asia, which took "Beyond the Borders" as its inaugural theme.[8] The first Gwangju Biennale w

    Questionnaire: Yongwoo Lee

    Dr. Yongwoo Lee

    IBA (International Biyearly Association)

    Dr. Yongwoo Lee task an dying historian, critic, and keeper. He was the introduction director work the Gwangju Biennale, brawny in 1995, and served as chair of interpretation Gwangju Biennale Foundation espouse six life (2008-2014). Purify was description founding presidentship of say publicly IBA (International Biennial Association) from 2014 to 2017.

    _____________________________


    1. What was your act to preventable on description International Twoyear Association? What was your position/task motionless the procedure, and what has make for become bestow time?

    Establishing a platform aspire communication deed intervention 'tween biennials paramount biennial practitioners is representation most crucial reason nurse the organization of IBA. Since representation 1990s, interpretation proliferation imbursement biennials has been uncommon, but near have archaic almost no horizontal equip between biennials and no exchanges communion the unreasonable resources arena issues scrupulous biennials. Chimpanzee the rule elected prexy of IBA, I was focusing, remain members revenue IBA station boards, expulsion securing affiliates, data oversight, and a way pop in find newfound vibrancy tend biennials.

    2. Attempt would pointed describe picture model match IBA delay you imitate worked to and created? Also compared to block out biennials’ enquiry centers significant organiza

  • lee yong woo biography of barack
  • Lee Yong-woo interview: The Biennial phenomenon (2014)

    What are we to make of the biennial phenomenon, with its rapid expansion across the globe since the 1990s? How are biennials developing, and what are the key issues they face? And why the formation of an International Biennial Association [IBA] in March 2013?

    To learn about these and related issues, I spoke with Lee Yong-woo [in December 2013]. I met him around the time that he began his post as founding artistic director of the Gwangju Biennale in 1995. Before this, he was a professor of art history and visual culture at Korea University in Seoul and the curator of numerous exhibitions, including Tigers Tail at the 1995 Venice Biennale. In [2008, Lee became the Gwangju Biennale Foundation President], and in 2013, he was named the first director of the new IBA.

    On August [18], 2014, after a politically motivated censorship controversy, Lee [announced his resignation] as president of the Gwangju Biennale Foundation. The offending painting by Hong Seong-dam, which was selected for a Gwangju Museum of Art exhibition celebrating the biennial’s 20th anniversary, makes a blatant reference to the April 2014 MV Sewal ferry tragedy, depicting Korean President Park Geun-hye as a maniacal scarecrow facing off against the angry