History of lucrecia roces kasilag
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Lucrecia Kasilag: OPM for the Culture
There are a lot of definitions to the “Original Pilipino Music” or “OPM”. However, with a google search, you’ll arrive at this as the first definition: that which is originally referred only to Philippine pop songs.
Particularly ballads, these are defined as popular after the collapse of its predecessor: the Manila Sound of the late 1970s. (Rodrigo et al., 2014) This is the generation that had bands like Apo Hiking Society, VST & Co., Boyfriends, Hotdog, Juan de la Cruz Band, and many more that played the music our parents grew up listening or even partying to (Duarte, 2014).
VST & Co. (Left) Boyfriends (Right)
Another interpretation of the term would link “OPM” to the traditional meaning. In a search for original sound, some would refer it specifically to Philippine Gong Music. This type of music involves indigenous roots. Some instruments with such music are the gangsa (Balinese and Javanese Gamelan Music (Adams, 2018) are distantly related to this instrument as well) and kulintang (a modern term for an ancient instrument consisting of a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums). Different tribes would have their own uni
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Date: 18 Aug, 2018 - 18 Aug, 2018 , n/a
Location: Tanghalang Aurelio Tolentino, Cultural Center of the Philippines
The Philippine Women’s University (PWU) School of Music opened the centennial celebration of the birth anniversary of National Artist for Music, Lucrecia Roces Kasilag, with a concert at the Tanghalang Aurelio Tolentino of the Cultural Center of the Philippines on August 18, 2018. The concert featured a wide variety of her works including important pieces such as “Prelude Etnika” for guitar, “Interaction,” and “Orientalia” both for piano and Western and Asian instruments. Performing were faculty and performing groups of the university. The concert kicked-off a series of events including an exhibit and the inauguration of the LRK Music Instrumentarium. The celebration will last until August 2019 and will feature performances, workshops, and a symposium. As one of the most well-loved and influential figures in Philippine music, Kasilag’s centenary has been commemorated by other institutions such as the University of the Philippines, Ateneo de Manila University, Cultural Center of the Philippines, National Music Competitions for Young Artists, Philippine High School
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