Chinny ahaneku biography of williams
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Insurgent Transnational Conversations in Nigeria’s “Nollywood” Cinema
References
Achebe, Chinua. “An Image of Africa: Racism in Conrad’s Heart of Darkness.” Hopes and Impediments: Selected Essays (New York: Doubleday, ), 1–
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“Against my Will”, 1 & 2. Directed by Obi Madubogwu. ; Produced by Amaka Perpetua Nwankwo. Nigeria.
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“Ajantala.” Directed by Ayo Oluyemi. ; Written and Produced by Waheed Adepoju. Baba Wanda Films Production.
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“Alice My First Lady”, 1&2. Written, Produced and Directed by Chinny Ahaneku. ; A Candid Pictures Production. Nigeria.
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American Boy 1, 2 & 3. Written and directed by Samuel Nyamekye. ; A Samuel Nyamekye/A Miracle Film. Produced by Nwaeze Investment Ltd.
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American Dream. Directed by Tony Abulu. ; Nigeria.
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“Ana Sana” (in-
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From rituals to films: a case study of the visual rhetoric of Igbo culture in Nolywood films
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Abstract: Conceptualization of personhood by Menkiti’s () Person and Community in African Traditional Thought, Gyekye’s () Akan Concept of a Person and Mbiti’s () African Religions and Philosophy has shown that communal intimate belongingness is mostly limited to a micro community more than the totality of a larger African community. Within the context of this communal living, they have argued that, an individual owns no personality, and only becomes a person through social and ritual incorporation. For these scholars, personhood has been pictured as a state of life that is acquired “as one participates in communal life through the discharge of the various obligations defined by one’s stations” (Menkiti, p). Personhood they say, is a quality acquired as one gets older. Hence, according to them age is the determinant factor. This paper argues that, this mode of thinking not only ignores the essentials of personhood, namely, self-determination and the rights of the individual but it also, exposes the overbe
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