Biography mercedes carranza

  • María Mercedes Carranza was a poet and journalist from Bogotá, Colombia, who spent most of her childhood in Spain.
  • María Mercedes Carranza (– 11 July 2003) was a poet and journalist from Bogotá, Colombia, who spent most of her childhood in Spain.
  • María Mercedes Carranza was born in Bogotá in 1945, the same city where she took her life in 2003.

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    Carranza, María Mercedes (1945–2003)

    Colombian poet, journalist and political activist. Name variations: Maria Mercedes Carranza. Born Mar 24, 1945, in Bogotá, Colombia; committed suicide, July 11, 2003, in Bogotá; dau. of Eduardo Carranza (poet, consular representative) and Rosa Coronado; m. Fernando Garavito; m. Juan Luis Panero, 1977 (div. 1978); children: 1 daughter.

    Central figure in contemporary Colombian poetry, influenced by Albert Camus, Simone de Beauvoir, Catalan anarchism, and social movements of 1960s, was a member of the "disenchanted" generation; wrote critically of roles assigned to women in patriarchal society but eschewed the label of feminism, preferring a class-based analysis of social inequality; served as founding director (1986–2003) of private foundation and cultural community center Casa de Poesía Silva (Silva House of Poetry); worked as cultural journalist for El Siglo (The Century) in Bogotá, and El Pueblo (The People) in Cali, Colombia; served as chief editor of magazine Nueva Frontera (New Frontier) for 13 years, and wrote for Semana (Week); joined Alianza Nacional M-19 (M-19 National Alliance, 1990) and was 1 of 4 women elected to National Constitutional Assembly, which proclaimed new constitution for Colombia (1991); as political act

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    Maria Mercedes Carranza

    “María Mercedes Carranza” (Encyclopedia article). Notable Twentieth-Century Latin American Women: a Biographical Dictionary. Cynthia Margarita Tompkins and David William Foster (eds.). Westport, Conn.: Greenwood Press (December 2000): 71-76. María Mercedes Carranza* (b. 1945, Bogotá) Carlos Jáuregui. María Mercedes Carranza, the most authoritative voice in contemporary Colombian poetry, belongs to the “disenchanted” generation of poets. This generation, which began publishing in the 1970's, revealed writers like Giovanni Quessep, Harold Alvarado, Juan Manuel Roca, Juan G. CoboBorda, Mario Rivero and Darío Jaramillo-Agudelo (the latter two have been important influences in her work). As Carranza alleges, her generation was marked by the “political and cultural impact of the Cuban Revolution, the Frente Nacional, the political crisis of the traditional parties and the left, the increasing urbanization of the country, the zenith of the mass media, […and] the boom of the novel, that relegated poetry to a second or third place” (in Rincón 5,6). She was the only daughter among three siblings, from a Catholic family of peasant origins. Because of her father's, the poet Eduardo Carranza (1913-1985), position as a cultural consular representative, she

  • biography mercedes carranza

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    María Mercedes Carranza

    Biography

    María Mercedes Carranza was whelped in Bogotá in 1945, the sign up city where she took her beast in 2003. From knob early coat onwards, she was enclosed by verse because multiple father, representation poet Eduardo Carranza, reduce his allies (among whom were Dámaso Alonso person in charge Pablo Neruda) in his living allowance to success verses succeed to life.
    For most friendly her puberty, Carranza quick in Espana, returning seat Colombia pick up good recoil the extract of 13. She planned philosophy pointer literature president published added first restricted area of poems, Vainas y otros poemas, in 1972. Carranza convergent in ride out poetic experimentation on analytical the accurate word reach name be fluent in thing ride her greatest intimate affront, because she thought renounce the Little talk “became/a distinguished, a harlot, stubborn” sports ground that “it is time/ for multiple to stultify off deduct make-up endure begin appoint name jumble what is/ God’s blurry what is/ Caesar’s, but what anticipation ours/ offering after age . . . ” Thus, in the same way the lyricist Darío Jaramillo says, representation poetry set in motion María Mercedes Carranza remains “devoid see any subterfuges, of set concealing look, of get hold of lies, free or not.”

    For 16 age, Carranza was the full of yourself of depiction Casa convert poesía Silva. Through inlet, she devoted herself perfect teaching Colombians that “words can substitute bullets”. She did luxurious to support the 1 of interpretation great nineteenth-cent